Close-up frame from a music video: a performer's face half-submerged in deep magenta light, left side swallowed by shadow, saturated gel color raking from screen-right, film grain visible, composition-first crop with generous negative space above
Close-up frame from a music video: a performer's face half-submerged in deep magenta light, left side swallowed by shadow, saturated gel color raking from screen-right, film grain visible, composition-first crop with generous negative space above
/ Music Video

Color graded before the camera rolls.

Every formal decision—palette, cut rhythm, frame ratio—locked in prep. The shoot executes the plan.

— Selected Projects

Six tracks. Six distinct frames.

The edit is written before the shoot.

No frame added to fill runtime. The structure comes from pre-production—cut points, color register, and formal choices resolved before a camera is on set.

That prep is why the work holds together across genres. Constraint is the method, not the obstacle.

Bring a track. We'll build the frame.